PRESS QUOTES:
"A fascinating character, and a restless artist. Sangre y Sal takes us on a journey as elegant as it is hypnotising. A range of rhythms and styles as wide and diverse as the very musical geography he dares explore… songs performed with both mastery and a (wonderful) lack of scruples… A voyage across the continents, an undisguised homage from an artist ready and willing to do anything (except take the easy way out)." RUTA 66
"...instantly seductive rhythms that stand out from anything else currently emanating from our loudspeakers... addictively hypnotic music... a wonderfully deep album that if we were forced to choose just one this year, this would undoubtedly be at the top of the list."
JAZZTHETIK
"...full of sophistication and musical originality….highly elegant, varied, entertaining and beautifully performed and produced at the highest level.. Stunning sound... a rebel, and unrepentant pioneer capable of touching the innermost reaches of any heart or mind with his powerful poetry. An artist before whom we simply have no choice but to bow down. Exceptional!"
SOUNDANALYSE
"...one of those records that refreshes your soul... an organic mixture so natural that you immediately wonder who's responsible for it and where they've been for so long... A record like this happens only very rarely in a lifetime, but when it does you have to hold onto it forever."
PLASMA MAGAZINE
"...an atmospherically dense work... hypnotic melodies and original rhythms... extraordinary and good"
DARKSTARS
"...A wonderful journey through South America. Undiluted pleasure... in short: spectacular"
METALGLORY
"...without a shadow of a doubt, a real treat for lovers of the genre..."
TERRORVERLAG WEBZINE
"Breathtaking rhythms with melancholic undertones"
STADTKIND HANNOVER
"....if it doesn’t move you, then you must be dead...." ROCKAXIS
"....a gem…a marvellous creature, a cult symbol...." LA VANGUARDIA
"....a first class artist...." VIA X
"....A musical explosion...powerful rhythms and a fearless sound...." KIELER NACHRICHTEN
"....compelling, expressive and authentic music...." ECKERNFÖRDER ZEITUNG
"....Furious, cool and totally poetic...a musical seducer...." WOLFSBURGER NACHRICHTEN
"....Chocolate con Ají....one of the year’s most exciting Latin CDs...." FOLKWORLD
"....his music seems to have jumped right out of the film and soundtrack of From Dusk Till Dawn...." ZITTY BERLIN
"....most virtuosity, elegance and taste…own, unique style …unmistakeable...an extraordinary talent...." THE CONCERT IN CONCERT
"...Disparo...an excellent album...Undoubtedly, a creation to discover and enjoy...." ZONA DE OBRAS
AWARDS:
DANIEL PUENTE ENCINA - "The Lukas 2019", (The Latin UK Awards), Runner Up, category European Jazz/ Folk Act of the year.
POLVOROSA - "Los Videos Mas Espectaculares" ("The most spectacular videos") by MTV Music Television 2004. DVD compilation.
Song «Behind de mi House», Album «Radical Car Dance»
NIÑOS CON BOMBAS - John Lennon Talent Award 1995
AUDIO CDs:
DANIEL PUENTE ENCINA – «Sangre y Sal» (2019), Polvorosa
DANIEL PUENTE ENCINA – «Chocolate con Ají» (2014), Polvorosa
DANIEL PUENTE ENCINA – «Disparo» (2012), Polvorosa
PINOCHET BOYS – «Pinochet Boys» (2012), Hueso Records
POLVOROSA - «Radical Car Dance» (2004), K Industria
NIÑOS CON BOMBAS - «El Niño» (1997), El Diablo Digital, Grita Records
NIÑOS CON BOMBAS - «De tiempo en el momento de la explosión» (1996), Intercord / Grita Records
ORIGINAL SOUNDTRACKS / FATIH AKIN MOVIES:
POLVOROSA - «Head on» («Gegen die Wand»), (2004), Normal Records
POLVOROSA - «In July» («Im Juli»), (2000), Sony Music
NIÑOS CON BOMBAS - «Short Sharp Shock» («Kurz und schmerzlos»),(1998), Motor Music
COMPILATIONS:
POLVOROSA - «Sex, City, Music: Barcelona», (2006), Petrol
POLVOROSA - «Electronic Latin Freaks», (2005), Subterfuge Records
POLVOROSA - «Barcelona Raval Sessions», (2004), Exil/ Indigo
POLVOROSA - «Popkomm Sampler», (2000), Tonspion
NIÑOS CON BOMBAS - «Elektro Latino Vol.1», (1999), Potomak
NIÑOS CON BOMBAS - «Skaliente» (1998), Grita Records
NIÑOS CON BOMBAS - «Rolling Stone New Voices, Vol. 21», (1998), Rolling Stone
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